Ross Gay's essays have been called "exquisite" (Tracy K. Smith), "imperative" (the New York Times Book Review), and "brilliant" (Ada Limón). Now, in this new collection of genre-defying pieces, again written over the course of a year, one of America's most original voices continues his ongoing investigation of delight. For Gay, what delights us is what connects us, what gives us meaning, from the joy of hearing a nostalgic song blasting from a passing car to the pleasure of refusing the "ubiquitous, nefarious" scannable QR code menus, from the tiny dog he fell hard for to his mother baking a dozen kinds of cookies for her grandchildren. As always, Gay revels in the natural world-sweet potatoes being harvested, a hummingbird carousing in the beebalm, a sunflower growing out of a wall around the cemetery, the shared bounty from a neighbour's fig tree-and the trillion mysterious ways this glorious earth delights us. For his many fans eagerly awaiting this new volume and for readers who have enjoyed the works of Aimee Nezhukumatathil, Zadie Smith, and Rebecca Solnit, Gay once again offers us "literature that feels as fluent and familiar as a chat with a close friend" (the New York Review of Books). The Book of (More) Delights is a collection to savor and share.

New edition of poignant selected images from famed Life photographer W. Eugene Smith’s Pittsburgh project.   In 1955, having just resigned from his high-profile but stormy career with Life Magazine, W. Eugene Smith was commissioned to spend three weeks in Pittsburgh and produce one hundred photographs for noted journalist and author Stefan Lorant’s book commemorating the city’s bicentennial. Smith ended up staying a year, compiling twenty thousand images for what would be the most ambitious photographic essay of his life. But only a fragment of this work was ever seen, despite Smith's lifelong conviction that it was his greatest collection of photographs.   In 2001, Sam Stephenson published for the first time an assemblage of the core images from this project, selections that Smith asserted were the “synthesis of the whole,� presenting not only a portrayal of Pittsburgh but of postwar America. This new edition, updated with a foreword by the poet Ross Gay, offers a fresh vision of Smith's masterpiece.  

"BRILLIANT." --Ada Limon, U.S. poet laureate An intimate and electrifying collection of essays from the New York Times bestselling author of The Book of Delights. A Publishers Weekly Best Book of 2022 In these gorgeously written and timely pieces, prizewinning poet and author Ross Gay considers the joy we incite when we care for each other, especially during life's inevitable hardships. Throughout Inciting Joy, he explores how we can practice recognizing that connection, and also, crucially, how we can expand it. In "We Kin," Gay thinks about the garden (es pecially around August, when the zucchini and tomatoes come in) as a laboratory of mutual aid; in "Share Your Bucket," he explores skateboard ing's reclamation of public spaces; he considers the costs of masculinity in "Grief Suite"; and in "Through My Tears I Saw," he recognizes what was healed in caring for his father as he was dying. In an era when divisive voices take up so much airspace, Inciting Joy offers a vital alternative: What might be possible if we turn our attention to what brings us together, to what we love? Taking a clear-eyed look at injustice, political polarization, and the destruction of the natural world, Gay shows us how we might resist, how the study of joy might lead us to a wild, unpredictable, transgressive, and unboundaried solidarity. In fact, it just might help us survive.

An Indie Poetry Bestseller! What the world needs now - featuring poems from inaugural poet Amanda Gorman, Ross Gay, Tracy K. Smith and more. More and more people are turning to poetry as an antidote to divisiveness, negativity, anxiety, and the frenetic pace of life. How to Love the World: Poems of Gratitude and Hope offers readers uplifting, deeply felt, and relatable poems by well-known poets from all walks of life and all parts of the US, including inaugural poet Amanda Gorman, Joy Harjo, Naomi Shihab Nye, Ross Gay, Tracy K. Smith, and others. The work of these poets captures the beauty, pleasure, and connection readers hunger for. How to Love the World, which contains new works by Ted Kooser, Mark Nepo, and Jane Hirshfield, invites readers to use poetry as part of their daily gratitude practice to uncover the simple gifts of abundance and joy to be found everywhere. With pauses for stillness and invitations for writing and reflection throughout, as well as reading group questions and topics for discussion in the back, this book can be used to facilitate discussion in a classroom or in any group setting.

A collection of gorgeously written and timely pieces in which prize-winning poet and author Ross Gay considers the joy we incite when we care for each other, especially during life's inevitable hardships. In "We Kin" he thinks about the garden (especially around August, when the zucchini and tomatoes come on) as a laboratory of mutual aid; in "Share Your Bucket" he explores skate-boarding's reclamation of public space; he considers the costs of masculinity in "Grief Suite"; and in "Through My Tears I Saw," he recognizes what was healed in caring for his father as he was dying. In an era when divisive voices take up so much air space, Inciting Joy offers a vital alternative: what might be possible if we turn our attention to what brings us together? Full of energy, curiosity, and compassion, it is essential reading from one of our most brilliant writers.

A NEW YORK TIMES BESTSELLER As Heard on NPR's This American Life 'The delights he extols here (music, laughter, generosity, poetry, lots of nature) are bulwarks against casual cruelties . . . contagious in their joy' New York Times The winner of the NBCC Award for Poetry offers up a spirited collection of short lyric essays, written daily over a tumultuous year, reminding us of the purpose and pleasure of praising, extolling, and celebrating ordinary wonders. Among Gay's funny, poetic, philosophical delights: a friend's unabashed use of air quotes, cradling a tomato seedling aboard an aeroplane, the silent nod of acknowledgement between the only two black people in a room. But Gay never dismisses the complexities, even the terrors, of living in America as a black man or the ecological and psychic violence of our consumer culture or the loss of those he loves. More than anything other subject, though, Gay celebrates the beauty of the natural world - his garden, the flowers peeking out of the sidewalk, the hypnotic movements of a praying mantis. The Book of Delights is about our shared bonds, and the rewards that come from a life closely observed. These remarkable pieces serve as a powerful and necessary reminder that we can, and should, stake out a space in our lives for delight. *** 'These charming, digressive "essayettes" surprise and challenge more than a reader might expect . . . experiences of "delight," recorded daily for a year, vary widely but yield revealing patterns through insights about everything from nature and the body to race and masculinity.' New Yorker 'Pure balm for your soul. Savor one at a time every morning, this summer, or wolf them all down en masse on a gorgeous sunny day.' Celeste Ng 'A reminder of what the personal essay is best at: finding the profound in the mundane . . . His delight is infectious. It's hard to read Gay and not to be won over.' Seattle Times

Winner of the 2015 National Book Critics Circle Award, poetry category. Winner of the 2016 Kingsley Tufts Poetry Award. Finalist for the 2015 National Book Award, poetry category.Finalist for the 2015 NAACP Image Awards in Poetry. Catalog of Unabashed Gratitude is a sustained meditation on that which goes away - loved ones, the seasons, the earth as we know it - that tries to find solace in the processes of the garden and the orchard. That is, this is a book that studies the wisdom of the garden and orchard, those places where all - death, sorrow, loss - is converted into what might, with patience, nourish us.

Bringing the Shovel Down maps the long and arduous process of being inculcated with the mythologies of state and power, the ramifications of that inculcation (largely, the loss of our humanity in the service of maintaining those mythologies), and finally, what it might mean, what it might provide us, if we were to transform those myths. The book, finally, has one underlying question: How might we better love one another?

A collection of gorgeously written and timely pieces in which prize-winning poet and author Ross Gay considers the joy we incite when we care for each other, especially during life's inevitable hardships. In "We Kin" he thinks about the garden (especially around August, when the zucchini and tomatoes come on) as a laboratory of mutual aid; in "Share Your Bucket" he explores skate-boarding's reclamation of public space; he considers the costs of masculinity in "Grief Suite"; and in "Through My Tears I Saw," he recognizes what was healed in caring for his father as he was dying. In an era when divisive voices take up so much air space, Inciting Joy offers a vital alternative: what might be possible if we turn our attention to what brings us together? Full of energy, curiosity, and compassion, it is essential reading from one of our most brilliant writers.

Winner of PEN America Jean Stein Award Through a kind of lyric research, or lyric meditation, Be Holding connects Dr. J’s famously impossible move from the 1980 NBA Finals against the Los Angeles Lakers to pick-up basketball and the flying Igbo and the Middle Passage, to photography and surveillance and state violence, to music and personal histories of flight and familial love. Be Holding wonders how the imagination, or how our looking, might make us, or bring us, closer to each other. How our looking might make us reach for each other. And might make us be reaching for each other. And how that reaching might be something like joy.

An exploration of the various ways language can help us transcend both the banal and unusual cruelties which are inevitably delivered to us, and which we equally deliver unto others. These poems comb through violence and love, fear and loss, exploring the common denominators in each. Against Which seeks the ways human beings might transform themselves from participants in a thoughtless and brutal world to laborers in a loving one.

A sweeping retrospective of Alma W. Thomas's wide-reaching artistic practice that sheds new light on her singular search for beauty Achieving fame in 1972 as the first Black woman to mount a solo show at the Whitney Museum of American Art, Alma W. Thomas (1891-1978) is known for her large abstract paintings filled with irregular patterns of bright colors. This insightful reassessment of Thomas's life and work reveals her complex and deliberate artistic existence before, during, and after the years of commercial and critical success, and describes how her innovative palette and loose application of paint grew out of a long study of color theory. Essays trace Thomas's journey from semirural Georgia to international recognition and situate her work within the context of the Washington Color School and creative communities connected to Howard University. Featuring rarely seen theatrical designs, sculpture, family photographs, watercolors, and marionettes, this volume demonstrates how Thomas's pursuit of beauty extended to every facet of her life-from her exuberant abstractions to the conscientious construction of her own persona through community service, teaching, and gardening. Published in association with The Columbus Museum and the Chrysler Museum of Art Exhibition Schedule: Chrysler Museum of Art, Norfolk, VA (July 9-October 3, 2021) The Phillips Collection, Washington, DC (October 30, 2021-January 23, 2022) Frist Art Museum, Nashville (February 25-June 5, 2022) The Columbus Museum, GA (July 1-September 25, 2022)

In this new collection of poems, Weary Kingdom, DeLana R. A. Dameron maps a journey across emotional, spiritual, and geographic lines, from the familiarity of the honeysuckle South to a new world, or a new kingdom-Harlem. Her poems traverse the streets of this Black mecca with a careful eye cast toward the intimacies of the exterior. Still, as the poems move throughout the built environment, they navigate matters of death, love, love loss, and family against the backdrop of a city that has yet to become home. Indeed what looms over this weary kingdom is a longing for the certainties of a lover's touch, the summer's sun, and the comforts of a promised land up North. And as the poet longs, so do readers. Ultimately they grow aware of Utopia's fragility.